Showing posts with label A Doll's House. Show all posts
Showing posts with label A Doll's House. Show all posts

Friday, February 22, 2013

Character of Nora Helmer in the play “A Doll’s House” by Henrik Ibsen


Question: (2) : Draw a character sketch of Nora Helmer in the play “A Doll’s House” by Henrik Ibsen.

            Answer: Nora Helmer is an excellent creation of Henrik Ibsen, a Norwegian playwright and theater director. In the play “A Doll’s House”, she is one of the major characters. From the beginning to the end of the play, she keeps on changing radically. She develops and changes from a doll to an independent woman. She is portrayed in her relations with her Torvald Helmer, children, Krogstad, Doctor Rank, the old Nurse and Christine Linde. In the beginning of the play, she was happy but towards the end of the play, she becomes serious and somber leaving her husband’s house to face the future of uncertainty.  

            Nora Helmer is seen at the beginning behaving like a conventional wife. She fully responses to Torvald's terms of endearment when  he calls her a ‘little skylark’, a ‘squirrel’, a ‘little singing bird’, ‘darling little wife’ and so on. She is an accommodating wife but her husband instead of protecting her after knowing about secret becomes indignant. This surprises her. After the incident, she realises that her husband treats her as a doll in the house. Even her father compels her to adopt her father’s views and opinions. Her father also treats her as a doll in the play. Such treatment is inflicting to her as she says:

“You and father have done me a great wrong.
It is your fault that my life has come to nothing.” (Page: 164, A-3)

            Nora is a very loving and affectionate mother who loves her children even though the old Nurse mostly looks after them and is largely responsible for their upbringing. In the happy domestic scene of the play, the children show great pleasure in the company of their mother and Nora is shown as supremely happy in playing with them. When it seems to her that she is going to leave her children behind, she asks the old Nurse if she would like to look after them as dutifully as she is doing now. Thus, she is quite concerned about the welfare and happiness of her children but it is quite surprising to us that she ultimately leaves them. Her desertion of the children is something of which we cannot approve but her own state of mind at that time is such as she finds no alternative but to leave them.

            Her friendship with Mrs. Linde is amiable, helpful and healthy. They share each other’s miseries. At one stage when Mrs. Linde asks Nora to help her to get a job, Nora requests her husband to arrange a job for her. On the other hand, she has a very friendly relationship with Dr. Rank who secretly loves her and wants to commit suicide if he does not get her leaving all his property for her but Nora honestly maintains a respectable distance for the purity of her relationship.     

            She is more practical than many other women in the Victorian Age and even than her husband, Torvald Helmer. However, it is not an easy task for a woman to borrow money but she alone takes the risk of managing the money for him to recover her husband from illness. She is dead against reaching the news to her husband but it is Mr. Krogstad, an opportunist, informs Torvald of it by a letter. After a perusal of the letter, he becomes very enraged. He calls her ‘the unfathomable hideousness of it all’. She is excessively hurt at the loveless comment. At that time, the realisation of her captivity maddens her. She always believes that Torvald can sacrifice anything for her sake but now she understands that his love for her was artificial. This is for the first time she, like a mature woman, rediscovers her and decides to leave him and her children and raises a voice of protest against inflicting male-domination. She complains with excessive grief:

“You have never loved me.
You only thought it amusing to be in love with me.” (Page: 163, A-3)

            In fine, it is clear that Nora Helmer is a realistic character. Her faults show that she is a real being. In fact the whole portrayal of this woman is splendidly handled. She is not a figment of the fancy but a real woman. In her protest against her husband’s possessive attitude towards her, she symbolises the feminine revolt against male domination. She is a modern woman, an independent and free woman who maintains her self-respect at a very high cost. She is an awakened woman with her awareness for her feminine rights as an individual. She represents a revolt against the slavery of woman by man.

Symbols in “A Doll’s House” by Henrik Ibsen

Question: ( 1 ): Describe the symbols you have found in “A Doll’s House” by Henrik Ibsen.

            Answer: “A Doll’s House” is the play written by Henrik Ibsen, a Norwegian playwright. Here in the play, the playwright uses various symbols which usually something concrete – an object, a place, a character, an action – that suggests for something abstract and universal. He uses them to convey his expected meaning to his readers. Here in the play, the major symbols he uses are: a doll’s house, macaroons, Christmas tree, bird, squirrel, tarantella, the bond, the letter, Doctor Rank, Mrs. Linde, money and so on.

            “A Doll’s House” depicts a woman’s emancipation from the proprietary rights a husband claims to have over his wife. The title of the play is very significant. While playing, children make the dolls perform social roles over which the lifeless dolls have no control. A parallel is suggested by the title and by several speeches in Insen’s play between the life and that is represented in the house and the false life of a doll’s house. In fact, the word ‘doll’ refers to a woman who has no mind or will of her own. A doll’s house, therefore, means a house where there lives such a woman. Nora Helmer is almost always treated like a doll both by her father and husband. Before her marriage, she is treated like a baby-doll by her father and after she is married off to Torvald, she receives the same treatment from her husband too. Thus she has stayed like a doll in a doll’s house. They always play with her just like a child plays with his toys for fun and amusement.

            Macaroons are the cookies that show her childish tendencies, such as sneaking unhealthy food. It also shows the side of her that she hides from her husband, or her concealed self.

            Christmas tree is another symbol of concealing in the play. Nora wants to hide the Christmas tree from her children, showing secrecy. She also does not want them to see it before it has been decorated, symbolising the contrast between realistic and idealistic, which is a common theme throughout the play.

"Hide the Christmas Tree carefully, Helen.
Be sure the children do not see it till this evening, when it is dressed."

             Nora Helmer’s husband calls her by several names as songbird, squirrel and skylark. These nicknames are representative of Nora’s false image she portrays. She is shown as a mindless woman who innocently lives her life according to her husband and wastes her time on frivolous things.

            Tarantella is a type of dance that symbolises Nora’s change from an innocent woman (the bird) to more of a devious character. It shows the transformation into her true self, which is not a transformation that her husband enjoys. She becomes more independent in thoughts and actions at this point and is attempting to conceal the fact that she went behind her husband’s back in order to get a loan. She is spinning a "web of lies".

            The bond symbolises the secrets Nora keeps from her husband, and is the basis for much of the conflict in the story. It is seen as a thing of evil, and seems to bring out the worst traits in each character, such as Nora’s lies, Torvald’s self-involvement (for he worries only about what it will do to his career), and Krogstad’s vengefulness.

            And the letter symbolizes Nora’s vulnerability and is a cause of panic toward the end of the play. Once it is discovered it will expose Nora’s deceit to her husband and put their family in jeopardy.

            Doctor Rank is the character that symbolises fate in the play. He speaks frequently of the sickness in society and seems to have a pessimistic view of the world. He is dying and must meet the fate he has been dealt, since fate cannot be altered and only accepted. Mrs. Linde is Nora Helmer’s friend who shows contrast to Nora and represents the coming of age of women.

            Money symbolises the shallowness of this society, since much of the play revolves around it. Many of the characters lives seem to depend on money in order to fulfill their needs.

            To sum up, it can be said from the elaborate discussion above that the symbols the playwright employed in his play “A Doll’s House” are really excellent. They have heightened the emotional effect of various situations in the play.  



Md. Saiful Alam
B. A. Honours and M. A. in English
Lecturer of English
Queen’s College, Dhaka
My affectionate Readers,
Please, never hesitate to comment and any correction or suggestion regarding my writings will be largely appreciated and valued and you can ask me any grammatical questions regarding English. I promise I would try my level best to assist you, all. Thank you very much.
 

  





   

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